Starring: Aamir Khan, Asin, Jiah Khan, Pradeep Rawat, Khalid Siddiqui
Director: A.R. Murugadoss
Producer: Tagore Madhu, Madhu Mantena
Singers: Javed Ali, Sonu Nigam, Suzanne D'Mello, Benny Dayal, Shreya Ghosal, Karthik, Pravin Mani
Lyrics: Prasoon Joshi
Music Director: A R Rahman
Genre: Thriller
Runtime: 3Hour and 1Mins
Subtitles: YES
Source: Intellect Clever / IcTv`s DVD


Synopsis:
Imagine being one of the most successful businessmen in the country. Sanjay Singhania (Aamir) is a rich businessman who owns a cellular phone company. Kalpana (Asin) is a model who brags to her friends and peers that she is the love interest of Sanjay, though in reality she doesn?t even know the man.
When Sanjay comes to know about this anonymous admirer of his, he decides to dispel her delusions. But on his way he sees a beautiful woman helping the handicapped kids cross the road. Instantly, Sanjay falls for her. Later, he comes to know that she is Kalpana, the same model who boasted of being his girlfriend.
Sanjay gets introduced to Kalpana but doesn?t disclose his real identity. Love blossoms between the two.
While on a train ride, Kalpana saves a group of young girls from a rowdy bunch of eve-teasing goons. A few days later, the same group of eve teasers, led by their notorious head (Pradeep Rawat) close in on Kalpana. But Sanjay arrives and fights them. In the ensuing scuffle, Kalpana is killed and Sanjay is hit on his head with an iron rod.
Though Sanjay is able to survive the injury, he loses his memory. He gets only flashbacks of what really happened and his short memory makes it difficult to remember things he did just minutes back.
How this man, who can?t even remember the killers of hi ladylove, goes about taking his revenge is what the remaining story is about. Jiah Khan plays a medical student who helps Sanjay find the killers.

The wait is finally over! An Aamir Khan film is nothing short of an event. The supremely talented actor acts in one film a year and no two films are ever identical in terms of plotline. No wonder then that you await an Aamir starrer with bated breath.

GHAJINI, the Tamil version, has been a massive hit and so was its dubbed Telugu version. Will the Hindi adaptation live up to the humungous expectations? The hype is unmatched and you expect no less than a present-day masterpiece.

Now the good news: GHAJINI demonstrates how strong film-making can enhance and elevate an already solid concept.

GHAJINI is a revenge saga, one ingredient that has been the staple diet of Hindi films since time immemorial. It is a powerful film. It has the power to sweep you off your feet from the word 'go'. It has a riveting story, which has been told with flourish by director A.R. Murugadoss. And, of course, it has a knockout performance by Aamir Khan. If at all there's a shred of doubt whether Aamir is The Best in the business, all you've got to do is check out GHAJINI.

Flaws any? Running time [almost 3 hours]? Not at all! There's so much happening in every scene and the screenplay is so gripping that you don't feel the need to look at the auditorium ceiling or at your watch at brief intervals. You aren't restless. As moviegoers, we've watched countless good versus evil fares over the years and although GHAJINI belongs to the same family, not once does it take the beaten track. The story has been told differently and most importantly, the story offers so many twists-n-turns that you just can't guess what would unfold next.

Is it violent? It is, at times, but the violence here is justified. In fact, every time the protagonist bashes up the evil-doers, you clap and root for him. The climax is jaw-dropping -- dissimilar from the original, but it's an out of the world experience nonetheless.

To sum up, GHAJINI is commercial Hindi cinema at its best. The film has 'Hit' written all over it. Let me put it this way: Cancel whatever you're doing today and go watch GHAJINI instead.

Aamir Khan is suffering from acute short-term memory loss set off by the violent murder of his girlfriend Asin. He's got to work around this handicap, but with methodical and meticulous determination. Aamir etches a path of clues that lead him on his road.

To aid him in his quest, he carries around a sheaf of Polaroids and when he is really sure of a piece of information, he has it tattooed on his body, which stands in for the damaged part of his mind. His indelibly marked torso is the repository of his grief, his rage and his reason to go on living.

Any more revelation would do gross injustice to the film and to its viewer.

First things first! GHAJINI is not MEMENTO. There're minor similarities, but GHAJINI takes a completely different route to tell its story. Director A.R. Murugadoss tells this one differently. It starts off with what happens in the past, comes to the present-day, goes back in time again and returns to the contemporary again. This is a breathless, exciting story, heart-breaking and exhilarating at the same time.

Hindi movies have often depicted people suffering from amnesia/memory loss, but GHAJINI is poles apart because the protagonist recalls events only for 15 minutes. The story is its USP, without a doubt. But what adds sheen and glory to the story is Aamir's portrayal of a man suffering from short-term memory loss. Aamir hardly speaks. In fact, the leading lady [Asin] speaks more than Aamir in the film. But Aamir speaks volumes with his eyes, he conveys whatever has to be conveyed through his body language, he says it all with his facial expressions and that only makes GHAJINI a memorable, never-seen-before experience.

Director A.R. Murugadoss deserves brownie points for not just coming up with an interesting story, but also presenting it [refreshingly] differently. The storyteller balances the light moments and the ones demanding intensity with expertise. There's dum in every sequence. Even if the director has to depict violence, he doesn't resort to blood-n-gore or knives-swords-pistols for effect.

A.R. Rahman's music is top notch. At least three numbers have the unmistakable stamp of a genius -- 'Guzarish', 'Behka' and 'Kaise Mujhe'. Ravi Chandran's cinematography is stunning. The film bears a stylish look all through. The action sequences are brilliantly executed. The Hindi moviegoers haven't seen such scenes ever.

Aamir delivers his career-best performance. In the first place, it requires courage and maturity to name the film after the villain. Knowing how egoistic our stars are, something like this is next to impossible in Hindi films.
A lot has been said and written about the GHAJINI look -- Aamir's hairstyle and his dream physique. It's awe-inspiring and if more and more people adopt the 'Aamir look' or hit the gym, it would be courtesy the actor.
As far as his acting is concerned, he's natural as the tycoon, but like a wounded, ferocious tiger when he goes on an avenging spree.
Without doubt, it's a concentrated, layered performance. He acts with his entire being. His body movement, the details of his performance, everything rings true. He is both vulnerable and hard. The pain in his face when he can't remember, is palpable. It's not only the plot that carries GHAJINI. It's also the mood and the expression on Aamir's face that makes GHAJINI a treat.

Asin is fabulous. To share the screen space with an actor of the stature of Aamir Khan and yet remain in your memory even after the show has ended is no cakewalk. She looks fresh and photogenic and acts her part brilliantly. Pradeep Rawat, the villain, is first-rate. Jiah Khan impresses, especially in the sequence when Aamir follows her to a shopping mall.

On the whole, GHAJINI is a winner all the way. The film will set new records and has the merits to emerge one of the biggest Hits of all times. The weekend business should be historic, the Week 1 business should be unparalleled, the lifetime gross should be amongst the biggest of all times. In short, GHAJINI has 'Blockbuster' written all over it.

Sometimes, due to some problems while ripping, rippers are not able to get the perfect "700 MB" Filesize, Which unables you to write the DivX/XviD file to a normal CD-R to enjoy it on your DivX player.

This guide will demonstrate, how we can successfully overcome this problem and write files of size up to 800 MB, into a normal 700 MB CD-R

How ?? : The idea is certainly fascinating. Despite DVD-R becoming more and more affordable regular CD-Rs are still the storage media of choice for most of us. As you may know, both VCD and SVCD can actually contain 800MB of movie data on a regular 700MB data disc. Why? Error correction is the keyword. Regular computer data CDs contain a lot of error protection, so your data won't get lost if you have some scratches on a CD. But the data on the CD itself has no error correction. If you start swapping bits in an executable file you have on a CD the file will no longer work. On the other hand, VCD and SVCD stream have some built-in protection so an additional protection on the data storage medium is no longer needed, which frees up space otherwise used for error correction. Those of you who have had a closer look at their burning program may have noticed that (S)VCDs are burned in mode2 whereas regular data CDs are burned in mode1.

Lets Begin the Fun


We'll need the following software

Mode 2 GUI maker
only10 mb

This is a 63 MB DVD rip [rmvb] format which can be played using Real PLayer.

snaps:

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In DISASTER MOVIE, the filmmaking team behind the hits "Scary Movie," "Date Movie," "Epic Movie" and "Meet The Spartans" this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time -- the disaster film. DISASTER MOVIE follows the comic misadventures of a group of ridiculously attractive twenty-somethings during one fateful night as they try to make their way to safety while every known natural disaster and catastrophic event -- asteroids, twisters, earthquakes, the works -- hits the city and their path as they try to solve a series of mysteries to end the rampant destruction.

SHORT DESCRIPTION :

Roswell 1950, and a sensational rumour from the US Army has surfaced. A flying saucer has crashed near Roswell.
While this unbelieveable event is broadcasting, the detective Pileggi falls into a mysterious case about the vanashing of a local farmer. During the investigation, he will discover that his reality has always been an illusion.
The Pentagon has been leading people to believe that Area 51 has been hiding projects about supersonic airplanes or alien technologies. The truth however is that the base was developed for a secret project called Aurora.

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